Free Popular Shakespeares 1 & 2 events at York St John, Friday 15th May, as part of the York International Shakespeare Festival

YISF8-17th May 2015 sees the First York International Shakespeare Festival and York St JohnYork-St-John-Logo-2-267x116 University are proud to be hosting two great events.  Leading multi-cultural company Two Gents Productions are bringing their interpretation of The Taming of the Shrew to York, and their founder and director, Arne Pohlmeier, will be working with a small group of primarily YSJU students in front of an audience to demonstrate their unique methods (however, we have a few extra places so contact me via Arts Events if you would like to be involved in the demonstrating: artsevents@yorksj.ac.uk). Working with a cast of just two actors of migrant /cross cultural backgrounds, their work was hugely successful as part of the Globe to Globe Festival in the Olympics celebrations in 2012, and Arne is now also working with Shakespeare’s Globe on a regular basis. This is an amazing opportunity for participants and audience alike and is a FREE but TICKETED event.

Friday 15th May 2015, Temple Hall, 10-12, Popular Shakespeares Part 1: book here

taming of the shrew

In fact, why don’t you make a day of it and attend the discussion panel in the afternoon, featuring among others, the Festival organiser, Philip Parr of Parrabola, Dr Aleksandra Sakowska of British Friends of the Gdansk Shakespeare Theatre, Natalie McCaul of the York Museum Trust on curating the First Folio, Maurice Crichton, York Shakespeare Project, David Richmond on his current student production, They Kill Us For Their Sport, a response to the students’ recent visit to Auschwitz, and Shakespeare: Perspectives lecturers, Saffron Walkling and Julie Raby. Also FREE but TICKETED.

Friday 15th May 2015, Temple Hall, 2-4,Popular Shakespeares Part 2: book here

folio

Both of these events will be suitable for the general public, including young people. You can book tickets for the shows themselves, including The Taming of the Shrew, at the de Grey Rooms or the York International Shakespeare Festival website: http://www.yorktheatreroyal.co.uk/index.php?id=2&category=5

Looking forward to seeing you there!

Event organizer, Saffron  J Walkling, Senior Lecturer in English Literature (Part-time)

Faculty of Arts

York St John University

York

YO31 7EX

s.walkling@yorksj.ac.uk

www.yorksj.ac.uk

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Shakespeare in Ukraine

Daria Moskvitina & Bogdin Korneljuk

Daria Moskvitina & Bogdin Korneljuk

Thank you to Paul Edmonson and Blogging Shakespeare for the update and photo!  

We had great fun dancing and dining with Daria and Bogdan at the 10th Craiova Shakespeare Festival in Romania in May, but just in case anybody thinks that Shakespeare isn’t relevant today, here is their latest dispatch from a part of the world that ‘lives’ Shakespearean scenarios in a way that, thankfully, I do not :

 

‘The Ukrainian Shakespeare Centre express our great appreciation of the wholehearted support for our struggle for democracy expressed by the European scientific community. Shakespeare wrote that expectation usually hits “where hope is coldest; and despair most sits” (All’s Well That Ends Well, 2.1.144) and thanks to your inspiring aid we go on fighting, keeping our hope and creative spirit alive. We feel enormous gratitude to you for all the encouraging emails we have received – your warm words reassure us that even in the hardest times we must (like that line just before the end of King Lear) “speak what we feel, not what we ought to say”. And so, rehashing the words of Sebastian from Twelfth Night “We can no other answer make but thanks, and thanks, and ever thanks” (3.3.14-15).

We also want to remind you that the members of our Centre are eagerly waiting for your applications for the Fourth international conference “Shakespearean code in the global cultural space: Between call and challenge” which will be held in Classic Private University, Zaporizhzhia, Ukraine on 25-27 September, 2014.You can contact us via uashakespeare@gmail.com for more information.

At the moment we are preparing the new issues of our journals “Renessansni studii” (“Renaissance Studies”) and “Shekspirivs’kyi dyskurs” (“Shakespeare discourse”). The journal “Renaissance Studies” deals with the broad range of problems of Renaissance literature, philosophy and culture. The journal “Shakespeare discourse” publishes scientific articles about Shakespeare’s biography and writing, it also casts light upon the issues of reception of the Bard’s legacy (translations, adaptations, parodies, intertextual references, stage versions) and of his influence upon other spheres of intellectual and cultural space (music, painting, education, advertising etc.). If you are interested in the cooperation with us, please, do not hesitate to address the Centre (our e-mail addresses areuashakespeare@gmail.com and renaissance@zhu.edu.ua.

The international conference is the part of the Ukrainian Shakespeare Project 2014 arranged by the Ukrainian Shakespeare Centre. It is the chain of events dedicated to the 450th anniversary of the Bard which will be held in different cities of Ukraine. Working on this project we tried to cover the broadest range of recipients of different ages (school teachers and pupils, students of universities and academies, all other people who are interested in Shakespeare and his writing). Together with the autumn scientific conference the Project includes:

All the year round: The mailout campaign “Shakescribe.ua” for everyone who subscribes to it on the registration page of the project (https://tinyletter.com/Shakescribe_ua). Each week the subscribers get informational e-mails with interesting facts about the wide range of Shakespearean topics (curiosities concerning the Bard’s biography, screen and stage versions of his plays, Shakespeare’s presence in modern art and mass-media). All the e-mail issues are supplied with rich illustration materials; each e-mail also contains web-links to pictures, videos, sites that can make the textual information more vivid.

Spring 2014: The contest among the school-teachers of world literature “Shakespeare Lesson 2014”. The participants send summaries of the world literature lessons which deal with one of Shakespeare’s works. The jury, which includes the members of our Centre and teaching staff from all over Ukraine, choose 5 best lesson-summaries. The teachers that are the authors of these summaries are invited to the best schools of Kyiv to give this lesson to the unfamiliar class of pupils. The best lessons will be filmed and recorded on DVDs which will be spread among the Ukrainian teachers of world literature.

Spring – autumn 2014: The contest of research papers dedicated to the Ukrainian reception of Shakespeare’s works “Shakespeare: the Ukrainian version”. Young scholars – students and post-graduates – can take part in the contest. The papers should deal with the intertextual traces of Shakespeare’s works in Ukrainian literature, with the problems of Ukrainian translations of the Bard’s legacy, theatrical versions of his plays, etc. This event is sponsored by the Ukrainian National Women’s league of America.

Summer 2014: The intellectual quest for students “Shakespeare forever!”. Student teams (each has up to 9 members) which represent different cities of Ukraine come to Lviv and compete for the title of “Shakespeare experts”. They fulfill various tasks – answer questions, make project-work, present the results of it. After the competition all the teams can attend some special events – Shakespeare theatrical master-classes, Shakespeare coffee-break and the round-table seminars with the leading Ukrainian scientists.

We would appreciate your help and your kind advice in implementing the Ukrainian Shakespeare Project 2014. For us it’s very important to know about your experience of arranging such events, you can also share with us information about the events that will be held in your country to commemorate the Shakespeare’s anniversary.

Do drop us a line to uashakespeare@gmail.com

Many thanks!

Bogdan Korneljuk and Daria Moskvitina’

– See more at: http://bloggingshakespeare.com/shakespeare-ukraine#sthash.34dJIqPO.dpuf

Shakespearean London Theatres (ShaLT)

(c) Shakespeare's Globe

(c) Shakespeare’s Globe

The project Shakespearean London Theatres (ShaLT)

has released its second batch of films, this time
on the topic of “Outdoor Playing”:
 
(1) A performed excerpt from Shakespeare’s play
Richard III Act I Scene 2, first performed c.1592 (8 minutes)
 
(2) An examination of the role of James Burbage in early
theatre (10 minutes)
 
(3) A research interview with theatre historian
Gabriel Egan on the subject of outdoor playing (30
minutes)
 
(4) A research interview with theatre historian
Tiffany Stern on the subject of outdoor playing (24
minutes)
 
(5) A research interview with theatre historian
Andrew Gurr on the subject of outdoor playing (44 minutes)
 
The links to the first batch of films is available via the projects website http://shalt.org.uk.
All are offered under a Creative Commons Attribution
Share-Alike licence (CC-BY-SA). The same licence
covers all the material on the project website at

Shakespeare and Myth: ESRA Conference, Montpellier 2013

ESRA, Montpellier, 2013

As a colleague put it: ‘four days of sun, sea and Shakespeare’ in the beautiful South of France city of Montpellier. I’m discussing my paper ‘Denmark’s a Prison: Appropriating Modern Myths of Hamlet after 1989′ on Friday in the Shakespeare and Global Myths seminar convened by Alex Huang and Aneta Mancewicz, but today I’m off for a stroll around Domaine d’O, where there will be an opening reception in the grounds of the 18th Century house, home to the Printemps des Comediens Festival.

Sun, sea and Shakespeare with Alexandra Portmann

Sun, sea and Shakespeare with Alexandra Portman

Most exciting for me today is Jerzy Limon’s plenary on ‘Jan Klata’s H.[amlet] and the Myth of Solidarity’ and an out of doors production of Richard II by the Berliner Ensemble, the company founded by Brecht. I think I’ve died and gone to heaven…. Information on the European Shakespeare Research Association and the conference can be found here: http://www.um.es/shakespeare/esra/conferences/montpellier.php

Berliner Ensemble do Richard II under the stars

Berliner Ensemble do Richard II under the stars

And see if you can spot the baby Shakespeare masquerading as the Messiah…

Michael Dobson's talk, of course...

Michael Dobson’s talk, of course…

Performing China on the Global Stage: Confirmation of Speakers

University of Leeds students perform 'The Sun is Not for Us', China 2012

University of Leeds students perform ‘The Sun is Not for Us’, China 2012

Following the previous post about the March Symposium to be held at stage@leeds (details below) on 26 & 27 March, the organisors are pleased to confirm the attendance of several significant theatre professionals to give talks, including:

* Gregory Doran from the RSC,

* Tian Qinxin from the National Theatre of China,

* Davey Anderson from the National Theatre of Scotland,

* Guan Bo from the National Centre for Performing Arts, China

* Zhang Ping from the Henan Yuju Theatre.

On top of this, there will also be an exhibition of 10 different productions of ‘The Orphan of Zhao’. The productions cover different genres of Chinese spoken drama, four local operas, Western style opera, English and Korean. There will also be two workshops on the 27th led by the Royal Shakespeare Company and the National Theatre of China. Spaces for these are limited so book your place now!! (Details attached) ‘Stage@leeds’ is the performance building situated at the University of Leeds (Woodhouse Lane, Leeds, LS2 9JT). There will be signposts on the day to guide you to the venue. Please note: It is advisable to book your tickets in advance. The event is bilingual (Chinese and English), subtitled or interpreted live by our MA Translation students.

For any further information please don’t hesitate to contact:

Milly Dent Symposium Management Intern pc10ed@leeds.ac.uk  

Elliot Pannaman Symposium Management Intern jl10ejap@leeds.ac.uk

An International Symposium: Performing China on the Global Stage, 26 and 27 March, 2013, University of Leeds

University of Leeds students perform 'The Sun is Not for Us', China 2012

University of Leeds students perform ‘The Sun is Not for Us’, China 2012

For anyone interested in Chinese theatre, including the controversial The Orphan of Zhao at the RSC, check out this two day symposium at the University of Leeds organised by Dr Li Ruru. It promises to be a stimulating and fun. The second half of my Orphan review is still pending…. Watch this space… Read the first part here.

Performing China on the Global Stage: People, Society and Culture
寰球舞台演出中国:人、社会与文化
An International Symposium 26 & 27 March 2013
University of Leeds

‘Performing China on the Global Stage’, a practice –led research network with its hub in Leeds, announces a two-day international symposium on 26 and 27 March 2013.
The symposium will include both conventional research seminars and public events of workshops and interactive presentations. Scholars and practitioners attending the symposium are from mainland China, Hong Kong, Taiwan, Japan, Australia, North America, the UK and other European countries.

SCHEDULE
26 March 2013

Session 1 9.00-13.00 including refreshment break
Discussion among contributors of the proposed book (Chinese) led by Professor Hu Zhiyi (Zhejiang University): Chinese Image: An intercultural Study of ‘The Orphan of Zhao’.

Session 2(parallel to session three) 14.00-18.00 including refreshment break
Discussion among the contributors of the edited book (English) led by Dr. Li Ruru (University of Leeds): Spoken Drama Productions in the Millennium: Theatrical Encounter with Politics, Society and Culture.

Session 3 (parallel to session two) 14.00-16.00
Much Ado About Nothing – a workshop led by Zoë Waterman, Assistant Director from the Royal Shakespeare Company UK. (Maximum participants 30). An exciting opportunity to explore this Shakespearian comedy, using classical British rehearsal room techniques to get inside character, language and storyline.

Session 4 17.00-19.00
Energy: Essence of Chinese Theatre – a workshop led by Director Tian Qinxin from the National Theatre Company of China. (Maximum participants 20). Focusing on eyes and the physicality of human beings, the workshop explores the function of energy in creativity and in reactions between performers in the Chinese style.

27 March 2013
Session 1 (parallel to session two) 9.00-10.00
Closed meeting of contributors for edited book (Chinese) to agree on the extension of the detailed outlines into chapters, and time line.

Session 2 (parallel to session one) 9.00-10.00
Closed meeting of contributors for edited book (English) to agree on the extension of the detailed outlines into chapters, and time line.

10-10.30 refreshment break

Session 3 10.30-12:00
Open panel for network partners to discuss how to take forward the project currently called Performing China on the Global Stage, including the electronic stage production repository, PG network, future live performances.

Session 4 13.00-18.00 (open to general public including refreshments)
Staging China, an interactive presentation by theatre professionals and researchers.
Part one: The Orphan of Zhao: from 5BC China to 21st century Stratford-upon-Avon
Stage productions of The Orphan include a wide range of forms: Chinese spoken drama, Chinese regional opera, Chinese Western-style opera, and the current English production by the Royal Shakespeare Company. These works will offer evidence and study cases for the examination of intra/inter/cross-culturalism, challenging the existing models and methodologies.
Part two: Contemporary Western Representations of China
Productions by the West Yorkshire Playhouse, University of Leeds, Border Crossings, University of Hawai’i at Manoa, National Theatre of Scotland and of the play Chinglish will be presented and discussed.

An exhibition of images and video in the venue foyer will provide a virtual theatre experience via over a dozen stage productions.

Supported by:

Cultural & Creative Industries Exchange, University of Leeds

……………………………………………………………………………………………………………………………………

Booking Form: Workshops on 26 March (no fee)
Email: s.m.daniels@leeds.ac.uk
YOUR NAME
TELEPHONE NUMBER
Would like to attend
2-4pm Workshop 1 (RSC) 5-7pm Workshop 2 (NTCC)
Please wear comfortable clothing and soft-soled shoes for the workshops.
Places are limited and need to be booked in advance.

Book Form: Open Sessions 27 March
Email: stage@leeds.ac.uk or telephone: 0113 343 8730
YOUR NAME
TELEPHONE NUMBER
Would like to attend the Open Sessions from 10.30 at a cost of £12 (£6 Concessions) including lunch.

Eastern European Hamlets Panel Discussion

My current research is on Hamlet in late-communist and post-communist society, so it’s jolly good of my friend Aneta Mancewitz to co-ordinate a panel discussion especially for me! (So, okay, not really just for me…)

Eastern European Hamlets

Wednesday 30th January 2013

Venue:  New Studio, The Royal Central School of Speech and Drama

Time:  17.30-19.30

Click on the link above for more details.

It will be wonderful to meet up again with Dr. Nicoleta Cinpoes, who organised the Worldwide Hamlet conference in Craiova in 2009 where I first met many of these people.  As people gave their papers in that industrial Romanian city, which also hosts a major international Shakespeare festival every two years (and we act like the World Shakespeare Festival was a new idea!), there were definite recurring themes – of which Hamlet and the legacy of 1989 in post-communist spaces was particularly potent.

(C) Meno Fortas

(C) Meno Fortas

This panel will explore Bulgarian, Romanian, Hungarian, Polish, Lithuanian and Yugoslav Hamlets.

The importance of Eastern European reconfigurings of Hamlet was illustrated during the Globe to Globe Festival when Shakespeare’s most famous play was performed, not by the Brits, but by the Lithuanians (left).  My blog review of Nekrosius’ Hamlet can be read here. My performance review of a Polish Hamlet directed by Monika Pęcikiewicz is forthcoming in the journal Shakespeare and is published online already.  If you would like a free copy please contact me and I will send you the link.  It originally started life as a couple of Shakespeare Travels blogposts, of course.

Other speakers will include the ever eloquent Prof. Dr. Boika Sokolova,  Dr. Sonia Massai, and Aneta  herself, among others.